Plastic Negative

This second part of the diptych examines the psychological arc of sensory overload—moving from accumulation to inversion.

Plastic Negative serves as the counterpoint and consequence. Rendered as a reversed, negative image, it reflects the internal flip that follows prolonged overload—when perception distorts, familiar structures dissolve, and the self enters a state of collapse or dissociation. Light and dark invert, clarity fractures, and what was once held becomes unrecognizable.

Together, the works trace a cycle of saturation and breakdown, inviting reflection on how modern overstimulation alters perception, emotional regulation, and the boundaries of identity. The diptych does not depict resolution, but rather the moment of transformation where endurance gives way to inversion.