Plastic

This first piece of the diptych examines the psychological arc of sensory overload—moving from accumulation to inversion.

Plastic represents the buildup phase, where constant information, stimulation, and expectation compress the self without yet breaking it. Forms tighten and overlap, suggesting a mind still attempting coherence while being reshaped by excess. Identity remains intact, but increasingly malleable, strained under the pressure of continual input.

Together, the works trace a cycle of saturation and breakdown, inviting reflection on how modern overstimulation alters perception, emotional regulation, and the boundaries of identity. The diptych does not depict resolution, but rather the moment of transformation where endurance gives way to inversion.